Arquivo Mensal: Junho 2022

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RECOGNITION AND FORMS OF DISRESPECT (Pereira, A.)

This third blog post will continue my reflection on issues pertaining migrant women, integration and discrimination topics. I will propose here a special focus on the general forms of disrespect based on Axel Honnet’s (1992-2021) perspective concerning recognition theories and also on the multiple ways how those forms of disrespect and misrecognition or non-recognition might impact human beings and relationships. Females, namely migrant women, are especially concerned – although they...

Foto Hector Retamal/AFP, disponivel em: https://projetocolabora.com.br/ods13/o-drama-dos-refugiados-climaticos/ 0

Recognition of the climate refugee for integral human development

(Foto by Hector Retamal/AFP) Ana Marta ALEIXO CADOS, Universidade Católica Portuguesa © 2022 Recognition of the climate refugee for integral human development The status of climate refugee is still not legally recognised, further complicating concerted and specific support action for these displaced persons. The scientific community calls for an international commitment to support the populations most exposed to the scourge of climate change; however, we must not forget that prevention,...

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The active principle of the Ugly

The Ugly is not a “Being”. The Ugly is a “Becoming”. Its condition is not static. It lives in a relative, entropic, and never definitive axiological spectrum. It is a negation, the active principle of negation. Finding a “frame” of the Ugly implies recognizing dimensions of reality that distance us from a promise of happiness [1] and on which the process of making something invisible appears as the possible response...

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We need to hear the migrants’ voices

Although there are a relatively considerable number of news pieces on migration, we barely see migrants, refugees, and asylum seekers quoted in the news. Without truly hearing them, we can’t acknowledge their perspective. Ester Minga At the beginning of May, I watched the play Une Histoire Bizarre, directed by Sebastião Martins and produced by Associação Juvenil Ponte (with the support of the High Commission for Migration; Lisbon Municipal Chamber; and...

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